斯蒂芬妮Langin-Hooper
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斯蒂芬妮·米. Langin-Hooper is associate professor and Karl Kilinski II Endowed Chair of Hellenic Visual Culture in the Department of 艺术历史 at Southern Methodist University. Her primary research analyzes the terracotta figurines of Hellenistic Babylonia utilizing perspectives of miniaturization affect, 后殖民主义, 性别理论与物质性.
她关于这个话题的书， Figurines in Hellenistic Babylonia: Miniaturization and Cultural Hybridity, was published with 剑桥大学出版社 in 2020. Miniaturization is also the focus of a volume that Dr. Langin-Hooper与S. Rebecca Martin of Boston University. Published by Oxford University Press in 2018, this book is entitled The Tiny and the Fragmented: Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Langin-Hooper’s other research interests include monuments and issues of monumentality 在米esopotamian art history, and Hellenistic Babylonian prosopography.
Her work is also concerned with issues of archaeological provenance and 抢劫; see for instance 她2016年在 伊拉克and her involvement in the case of 12 Roman mosaic fragments repatriated from Bowling Green State University to Turkey.
Langin-Hooper is a contributing partner of the digital humanities projects HBTIN (Hellenistic Babylonia: Texts, Images, and Names).
Dr. 兰金-胡珀博士获得了博士学位.D. from the 加州大学, 加州大学伯克利分校 in 2011. Her doctoral field was ancient Near Eastern art and 考古, with a concentration 在米esopotamian art history. She received a master of philosophy degree (with distinction) in world 考古 from the University of Oxford in 2005 and a bachelor of arts degree, 优等生, in anthropology and ancient mythology from the University of Pennsylvania in 2003.
Prior to joining the faculty at SMU, Langin-Hooper was assistant professor of ancient art history at Bowling Green State University from 2011 through 2014.
教育
Ph.D., ancient Near Eastern art and 考古, with a concentration 在米esopotamian art history, 加州大学, 加州大学伯克利分校
M.Phil, world 考古, University of Oxford
B.A., 优等生, in anthropology and ancient mythology, University of Pennsylvania
最近的工作
书
Figurines in Hellenistic Babylonia: Miniaturization and Cultural Hybridity. 2020. 剑桥大学出版社.
S. 丽贝卡·马丁和斯蒂芬妮·M. Langin-Hooper(编辑). 2018. The Tiny and the Fragmented: Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World牛津大学出版社.
Peer-reviewed 艺术icles and Book Chapters:
“Stronger at the Broken Places: Affect in Hellenistic Babylonian Miniatures with Separately Made and Attached Limbs,in S. 丽贝卡·马丁和斯蒂芬妮·M. Langin-Hooper (eds): The Tiny and the Fragmented: Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World牛津大学出版社, Oxford and New York. 2018, p. 116-144.
“Gender Experiments in Hellenistic Babylonian Figurines,in S. Svärd和A. 加西亚·文图拉(编): Studying Gender in the Ancient Near East, Penn State University Press, University Park, PA. 2018, p. 203-231.
“Seleucid-Parthian Figurines from Babylon in the Nippur Collection: Implications of Misattribution and Re-evaluating the Corpus,” 伊拉克，第78卷(2016)，页. 49-77.
“Fascination with the Tiny: Social Negotiation through Miniatures in Hellenistic Babylonia,” 世界考古, 体积47.1 (2015), p. 60-79.
“Performance and Monumentality in the 'Altar of Tukulti-Ninurta',”在J.F. 奥斯本(ed.): Approaching Monumentality in Archaeology纽约州立大学出版社，奥尔巴尼. 2014, p. 385-407.
“Terracotta Figurines and Social Identities in Hellenistic Babylonia,”在米.H. 费尔德曼和B. 布朗(eds): Critical Approaches to Ancient Near Eastern 艺术, De Gruyter, Berlin and Boston. 2013, p. 451-479.
“Problematizing Typology and Discarding the Colonialist Legacy: Approaches to Hybridity in the Terracotta Figurines of Hellenistic Babylonia,” Archaeological Review from Cambridge, Special Issue “Archaeology and Cultural Mixture,” Volume 28.1 (2013), p. 95-113.
“Social Networks and Cross-Cultural Interaction: A New Interpretation of the Female Terracotta Figurines of Hellenistic Babylon,” 牛津考古学杂志，第26卷.2 (2007), p. 145-165.
Peer-reviewed 艺术icles and Book Chapters, Co-authored:
S. 丽贝卡·马丁和斯蒂芬妮·M. Langin-Hooper. “In/Complete: An Introduction to the Theories of Miniaturization and Fragmentation,in S. 丽贝卡·马丁和斯蒂芬妮·M. Langin-Hooper (eds): The Tiny and the Fragmented: Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World牛津大学出版社, Oxford and New York. 2018, p. 1-23.
斯蒂芬妮·米. Langin-Hooper and Laurie Pearce. “Mammonymy, Maternal-Line Names and Cultural Identification: Clues from the Onomasticon of Hellenistic Uruk,” Journal of the American Oriental Society，第134卷.2 (2014). p. 185-202.
斯蒂芬妮·米. Langin-Hooper,年代. Rebecca Martin, and Mehmet Önal (with R. Molholt). “Zeugma as the Provenance of 12 Mosaic Fragments at Bowling Green State University,” 罗马考古学杂志，第26卷(2013)，页. 439-455.
斯蒂芬妮·米. Langin-Hooper和Terri Tanaka. “Bringing the Near Eastern Past to Life: 'Lived Experiences' as Strategies for Student-Directed Learning,” 近东考古学, Dig-it-al NEA Forum: Teaching Archaeology to Undergraduates, 2011, p. 1-18.
展览策划:
凯尔西考古博物馆, 密歇根大学, Ann Arbor: “Life 在米iniature: Identity and Display at Ancient Seleucia-on-the-Tigris,” Co-curated with Sharon Herbert, 12月20日向公众开放, 2013年4月27日, 2014
教学奖励
梅多斯艺术学院 Distinguished Teaching Professor, 2021-2022
2017年金野马奖
Altshuler Learning Enhancement Center PAT Teaching Award, 2017
课程列表
| “Mummies to Gladiators” survey of ancient art history (Paleolithic to fall of Roman Empire) | |
| 艺术, 考古, 和古希腊文化, 古代近东, 古埃及, 和希腊化世界 | |
| Classical Sculpture; War and 抢劫 of art in the ancient world, and the modern antiquities market, 抢劫, 收集实践 | |
| Miniaturization and postcolonial theory |
